Showing posts with label Photo Tours. Show all posts
Showing posts with label Photo Tours. Show all posts

Saturday, June 11, 2011

Pierre Claquin's Photo Workshop In Bangladesh

Photo © Pierre Claquin-All Rights Reserved
Pierre Claquin's photo workshop is a unique opportunity for 7 photographers to visit and document various and different aspects of Bangladesh during the period of September 06 - September 19, 2011.

In the itinerary, photographers will explore the the mangrove forests and wildlife of the Sunderbans (a UNESCO heritage site), the busy life on the rivers, an old Hindu temple inside the deep forest of the Sunderbans, the Buddhist vestiges of Mainamati, the tribal life in Sreemongol and in the Chittagong Hill Tracts, the tea gardens, and the urban chaos of Dhaka and Chittagong. The occasional monsoon rains will provide a unique lightning and effects.

Pierre is no stranger (or a "parachuting" photographer) to Bangladesh. He's a photographer,  a medical epidemiologist and a public health doctor who worked and lived for more than 16 years in Bangladesh between 1972 and 2011. He devoted his professional life to Africa and South, South East and Central Asia. He had several photo exhibitions: "Borrowed faces" (Dhaka- October 2000; Chittagong Feb 2001); "The Eastern Gallery of the Berlin Wall" (Dhaka April 2001); "1972-2002: The changing faces of Shariakandi" (Dhaka and Shariakandi - April 2002); "Surviving Dreams: the struggling circus of Bangladesh" (Dhaka Chobi Mela II - November 2002). He also published a book of 120 black and white photographs on the circuses of Bangladesh.

I have immense respect for Pierre's abilities, and I am very glad to have met and worked with him at the Foundry Photojournalism Workshop in Istanbul last summer.

All details for the Bangladesh Photographic Workshop are here.

Wednesday, May 18, 2011

Status: Travel Photographer's The Oracles Of Kerala™


Since announcing it via my newsletter a few days ago, I've received an unusually large number of applications to join The Oracles of Kerala Photo Expedition/Workshop™, scheduled for March 2012, and which will revolve around producing photo essays and multimedia stories of two of Kerala's most unusual religious and ancient festivals, as well as its ancient dance-drama and Vedic chanting tradition.

The workshop is limited to 7 participants, and having received a larger number of applicants than expected meant I had to base my choice on a combination of factors; preference was given to photographers who have joined my earlier photo~workshops aka the "repeaters", then to those applicants who had been wait-listed on one or more of my earlier photo workshops, and lastly on the style of their photography and interest in learning multimedia.

I regret turning away anyone.

It would be certainly be easier for me to enlarge the number of participants on my trips, and accept as many applicants as possible, but I'm not that kind of travel photography expedition leader.

Monday, May 16, 2011

New! The Travel Photographer's The Oracles Of Kerala™


I'm super excited to have set up the The Oracles of Kerala Photo Expedition/Workshop™, an opportunity to document two of Kerala's most unusual religious and ancient festivals, as well as its ancient dance-drama and Vedic chanting tradition.

It promises to be a multi-layered unique experience, merging travel photography and documentary photography styles, documenting unusual festivals of religious pageantry with decorated elephants accompanied by dancers and drummers, while the other involves Velichapadus (oracles), who enter into trances and offer blood to deities, as well as street photography in the old city of Kochi, a Kathakali performance (including pre-performance sessions), and documenting a Vedic school.

This photo~expedition/workshop is limited to 7 participants, and has already been pre-announced to my newsletter subscribers (to which you can subscribe via the box at the right side of this blog).

As with many of The Travel Photographer's Photo~Expeditions™, it's specifically structured for photographers interested in documentary photography, ethno-photography and multimedia, and who seek to take their creativity to a new level by creating multimedia stories from their inventory of photographs.

I'm in the process of reviewing the applications/registrations that have come in from the subscribers.

And speaking of travel photography meets documentary photography, have a look at my To Stage Or Not To Stage post, which elicited a lot of reactions from my readers and Twitter followers.

Monday, May 9, 2011

A 2012 The Travel Photographer Photo~Expedition™


Here's a sneak announcement for the first 2012 The Travel Photographer Photo~Expedition™, whose destination will be Kerala in south India. The objectives of the expedition/workshop will be two unusual religious festivals, a Vedic gurukul, a Kathakali academy and street photography in one of the oldest trading cities of the Western ghats.

The program, routing and pricing are almost ready, and I shall be sending its details to my newsletter subscribers by mid week.

So keep an eye on your inbox!!!

Monday, May 2, 2011

POV: I Told You So....

Photo © Tewfic El-Sawy - All Rights Reserved
On November 8, 2010, I wrote a post titled "Photo Tours Are Useful But..." in which I suggested:
"However, let's take this a step or two further because, simply put, there are photographers who market their workshops (and there are many these days) whose work may be phenomenally beautiful and inspiring, but who are unable to lead, who can't/won't teach and are unable/unwilling to share. It's simply not enough that the photographer's work is good...not at all. There are many more factors that come to play in one's decision in choosing a photo workshop."
It seems my advice is valid because the blogosphere is currently abuzz with news that the photo workshops/tours conducted by a famous photographer are really not worth the trouble nor do they warrant their lofty prices.  So let me reiterate what I say over and over again:  If I wanted to go on a workshop I'd rather go with a grunt...not a celebrity/famous photographer....I wouldn't want to be patronized nor palmed off to an assistant...that's my personal view, and you can read the whole post via the link above if you need to.

I certainly don't need to beat the caveat emptor drum louder than what has been written in the courageous and eloquent  Reflections on Steve McCurry Myanmar Workshop (don't miss the comments from other participants in the workshops) nor can I top Duckrabbit's witty rapier thrust to the jugular in the Competition: Please fill in the missing word post....

And how can I not provide the link that may have started the whole fuss, which appeared in the brilliant A Photo Editor, in which a Craiglist ad for an exploitative internship is deservedly criticized.

As always, make up your mind. It's your money and your time after all. Naturally, if you still want to spend over $10,000 on a workshop and learn how to make children cry, then by all means join up.

Oh, you may wonder why I chose a Balinese Arja performer to accompany this post. Well, an Arja actor is a man disguised as a woman...and a visual metaphor for things sometimes not being what they are advertised as. I could have used an image of a kathoey, but I don't have one.

Monday, April 18, 2011

Graham Crouch: Kolkata & The Effigy Makers

Photo © Graham Crouch-All Rights Reserved
Graham Crouch is a photographer currently working out of New Delhi, who worked with News Ltd in Sydney , Melbourne and North Queensland , and New Delhi. He now covers India, Pakistan , Afghanistan, Bangladesh and Sri Lanka for a wide variety of assignments. He was awarded the Asian Geo Magazine's Photographer of the Year as well as various awards in the National Press Photographers Association of America and the Thai Foreign Correspondents Club Feature Photography. He also won first prize in the Prix de la Photographie PX3 awards in 2010.

I am pleased to feature Graham's work in Kolkata which has colorful images of the city's famous flower market, the effigy makers for the Durga puja, along with various street scenes.

Graham also has a photo essay on his PhotoShelter site which showcases the traditional potters area known as Kumortuli, where they create the Puja effigies of the Hindu gods for the annual Durga puja festivities.

I will alert the participants in my Kolkata's Cult of Durga Photo~Expedition/Workshop™ which is scheduled for September 29 to October 13, 2011 of these galleries, since I plan for us to document effigy makers, amongst many other subject matters, during the Durga Puja.

Sunday, March 20, 2011

My Work: The Sayid & The Banni

Photo © Tewfic El-Sawy-All Rights Reserved
Photo © Tewfic El-Sawy-All Rights Reserved

Although I'm more inclined to photograph in a "photojournalistic" style during my photo~expeditions and/or assignments, with the aim to merge travel photography with reportage, I also do work in travel portraiture. Not to be confused with environmental portraits, travel portraiture is a simpler style and obviously can be used for stock, travel brochures and the like.

From my just completed In Search of Sufis of Gujarat photo~expedition, I feature a couple of portraits. The one on top is of a Banni woman at the doorway of her circular mud hut in the Kutch area of Gujarat. Her expression belies her capricious attitude while being photographed. She see-sawed between being flattered that I was photographing her (she's cute, after all) and asking me for money then turning away or shooing me off. She might've had success in getting paid by tourists, who walk in her village to buy handicrafts and the like. Despite her reluctance to cooperate, I managed to position her so that one half of the frame would have a black background, and the other half would be of a mud wall...but that didn't last long.

In short...a tiresome model.

The lower photograph is of a buffalo herder (or grazer). A proud man, with a regal bearing, he was herding the buffaloes back to the owners' farm. In my eagerness to photograph him with his animals against the setting sun, I tripped and went diving down on the ground...belly and chest first. I have no idea how I managed to protect my camera which, in contrast to my knees, escaped unscathed.

A Muslim, who introduced himself as a Sayid, he works for a Hindu community of farmers. He was welcoming, extremely cooperative, and patient with us. However, he was very serious during the whole of the photo shoot, only relaxing when we had finished. Those of us who've photographed in India (as an example) know the drill...the subjects are relaxed when the camera is not aimed at them, but the second the lens is directed at them, they freeze and become super-serious.

Saturday, March 19, 2011

Kongkrit Sukying: The Sufis of Gujarat

Photo ©Kongkrit Sukying-All Rights Reserved

Photo ©Kongkrit Sukying-All Rights Reserved

Photo ©Kongkrit Sukying-All Rights Reserved

A first time participant in my photo-expeditions, and in my just completed In Search of Sufis of Gujarat, Kongrit Sukying is a photographer from Bangkok, who was a marketing executive in the beverage business for over 10 years, but changed careers in 2009. He currently is a freelance commercial photographer who also specializes in wedding photography, as well as for books and magazines.

He's the fourth participant to send me samples of his work during the photo expedition.

The top photograph of the girl running down the stairs was made at one of the Islamic sites in Ahmedabad, while the second is of a pilgrim at one of the Sufi shrines who is supplicating the saint for a favor. The strings attached to the shrine's windows are left there by women as reminders of their prayers.

The lower photograph is of a Muslim woman at one of the Muslim mosques, probably in Ahmedabad.

Similar to Teerayut, the other participant from Thailand, most of Kongkrit's photographs in his external portfolio are post-processed, and while some may find these over-worked, it's a style which finds favor amongst many in Asia. In fact, Kungkrit emphasized the fact that he attended workshop at Digital Darkroom.  

Wednesday, March 16, 2011

Charlotte Rush-Bailey: Sufis of Gujarat

Photo © Charlotte Rush-Bailey-All Rights Reserved

Photo © Charlotte Rush-Bailey-All Rights Reserved

Photo © Charlotte Rush-Bailey-All Rights Reserved

A second-time participant in my photo-expeditions (Tribes of Rajasthan & Gujarat, and in my just completed In Search of Sufis of Gujarat), Charlotte Rush-Bailey is a photographer who migrated to the world of photography from a corporate career that covered three decades of marketing and communications positions in a variety of global industries including energy, financial services, media, conservation, technology and professional services. This gave her opportunities to work with people all over the world, and to learn to appreciate cultural nuances and the influences of socio-political forces.

She's the third participant to send me samples of her work during the photo`expedition. The top photograph was made at a the dargah of Gayaban Shah Pir, a Sufi saint buried in Rajkot. It's of pilgrims/devotees at the shrine who, since they are women, cannot enter the actual tomb of the saint.

The middle photograph is of a mujjawir and a woman pilgrim at the dargah of the Sufi saint Hazrat Saydi Ali Mira Datar. The mujjawirs claim to be direct descendants of the saint, and therefore make it a business to bless the thousands of devotees who come to the shrine on a weekly bases.

The lower photograph is of a Jain pilgrim at the holiest Jain temple in Palitana. Charlotte knows of my preference for horizontals, but included this one amongst the rest of her submissions, expecting that I wouldn't choose it for the blog. I've proven her wrong. It's a lovely photograph.

Charlotte published two books ‘Soul Survivors', a tribute to the people of the Sahel and Kutch Classic, a collection of photographs of her first foray in the Gujarati Kutch area.

Saturday, March 12, 2011

Sandy Chandler: The Sufis of Gujarat

Photo © Sandra Chandler -All Rights Reserved

Photo © Sandra Chandler -All Rights Reserved

Photo © Sandra Chandler -All Rights Reserved
A fourth-time participant in my photo-expeditions (The Gnawa in Morocco, Tribes of Rajasthan & Gujarat, Bali Island of Odalan and in my just completed In Search of Sufis of Gujarat), Sandra Chandler is a photographer and interior designer based in San Francisco. She tells us that color, smells and sounds drew her to world travel. Her city's Asian culture first enticed her to China in 1978 when the People’s Republic first opened. She then continued her exploration of Asia by traveling to Bhutan, India, Japan, Singapore, Nepal, Thailand, Tibet, and on to South America and Europe.

She's the second participant to send me samples of her work during the photo`expedition. The top photograph was made at a the dargah of Sayid Mira Datar, a Sufi saint martyred in a battle with a Bhil warlord in the 1400s, and who's reputed to heal and exorcise evil spirits from visiting supplicants. It's of pilgrims/devotees inhaling the special sacred incense to purge tevil spirits from their bodies.

The middle photograph is of niqab-wearing Muslim women in Sarkhej at the dargah of the Sufi saint Hazrat Ghatu Ganj Ahmed Shah. I think these women are members of the Tabligh sect; an orthodox Muslim sect. As much as I tried to cajole these women (and they spoke English perfectly), they would not allow me to photograph them.

The lower photograph is a candid portrait of a sadhu; a Hindu self proclaimed holy man. It was made during a photo shoot at the foothills of Junagardh's Girnar mountain. He had probably just woken up.

Sandy also published two books ‘Carnevale, Fantasy of Venice' of her beautiful photographs of Venice and its magical Carnevale, and Calling The Soul, a collection of photographs of the intricate Balinese cremations.

Sunday, March 6, 2011

My Work: Chandrika, A Hijra of Becharaji

Photo © Tewfic El-Sawy - All Rights Reserved

Photo © Tewfic El-Sawy - All Rights Reserved

Photo © Tewfic El-Sawy - All Rights Reserved

One of our photo-shoots on the itinerary of the In Search of the Sufis of Gujarat Photo Expedition™ involved the eunuchs of Becharaji. This required one of the longest pre-photo shoot negotiations of the trip, since eunuchs (or hijras, as they're known in the sub-continent) are usually reticent about being photographed.

The history of the hijras is rooted both in ancient Hinduism, where eunuchs are mentioned in a variety of texts, including the epic Mahabharata, and in Islam, where eunuchs served in the harems of the Mogul rulers. Hijra is considered a derogatory term, and I was told by Rehman, our fixer, that they preferred being addressed as 'masi'. Be it what it may, the word "hijra" is an Arabic word which found its way into Urdu, and it means "migrant"...for someone who has left his or her tribe.

I chose Becharaji as a photo shoot site because of its Hindu temple, devoted to the mother goddess Bahuchara Mata. Hijras are usually devotees of Bahuchara Mata. She is considered as a patroness of their community, and is devoutly worshiped. In fact, I witnessed many Hindu pilgrims arriving to the temple, and asking for the blessings of a group of hijras, almost as if they were recognized as being especially close to the goddess.

There are many books that deal with the culture of hijras, and apart from The Invisibles by Zia Jaffrey, I found many pages about them in City of Djinns by my favorite author William Dalrymple. He writes:
"Yet despite their frequent appearances in public, very little is actually known about the Indian eunuchs. They are fiercely secretive and of their own choice inhabit a dim world of ambiguity and half-truths. They trust no one, and hate being questioned about their lives."

We were allowed to visit Chandrika at her home (which she shares with other hijras), not far from the temple itself, and where the bottom two photographs were made (the top one was made at the temple), and the house was spotless, comfortable and well-tended to. An older transgender, introduced as her guru, was there, who gave permission before we could come in. Hearing and seeing the commotion, many neighbors eventually dropped by for some tea, and it ended up being a sort of a social event.

Chandrika is an extrovert, and she reveled in the attention from this handful of foreign photographers. It was difficult to photograph her in the setting of our choice, especially as she also wanted her friends and neighbors to be in the pictures. She also seemed to have a short attention span, and a mercurial temperament...so we had to make do with what we had.

Thursday, February 24, 2011

The Sufis of Gujarat Photo~Expedition™: The Verdict

Photo © Tewfic El-Sawy-All Rights Reserved
I find it always difficult to objectively assess a photo~expedition, since there are so many variables that must be considered when judging what went right and wrong over the course of an intense two weeks...but it's something I find necessary and useful. I don't know if other travel photographers publicize the positives and negatives of their photo trips or workshops, but I do. It's an exercise in transparency that I follow because I think it's the right thing to do.

The objectives of the In Search of the Sufis of Gujarat Photo Expedition™ were diverse. This was not a run-of-the-mill photo trip, touring Gujarat in search of photogenic individuals or places, but had the complex goals of exploring and photographing traditional Hindu and Islamic syncretism.

But first things first. The group was the most international I've had so far...2 Thai photographers, 1 Singaporean and 2 Americans.  The gear was, for the first time, Nikon-dominated with a couple of Canon users and a Leica aficionado.

Speaking of gear; I used my Canon 5D Mark II, and sort of inaugurated my new Canon 7D (which replaced my trusty old friend the Canon 1D Mark II). The 7D was mostly used when I need the super-fast fps rate, or when I wanted to shoot a movie clip. I used my Canon 24-70mm f2.8 virtually all the time, while the Canon 17-40mm f4.0 was used on my 7D. The 70-200 lens was used only once, and stayed at the hotel on most days. The same for my Canon 24mm f1.4. I lost all of my back-up Compact Flash cards...probably at Delhi airport's security check...so relied on two 16 gb cards that were in the camera bodies.

The photo~expedition's logistics worked well. I traveled to Ahmedabad (where the trip started) from Delhi on Indigo, a privately-owned Indian airline, and I can't be complimentary enough. Its time-keeping and its in-flight staff (not only gorgeous, but efficient and attentive) put American and European airlines to shame. The hotels on our itinerary were as expected, but I ought to mention two in particular: The Imperial Palace in Rajkot (despite it being all-vegetarian) was fantastic, and The Pride in Ahmedabad takes second place. The fleabag award goes to the Leo Resort in Junagadh, and it's now on my list of the ten worst hotels I ever stayed in. On the other hand, the Rann Riders Safari Resort in Dasada gets the fillip, as it has last year, for being oasis of calm, efficient service and excellent food.

Our transport was a large Tata bus, although I had thought we would be driving in a Tempo-like 12 seater. No complaints there (except for the shock absorbers), and driver Ashok and his assistant were put through their paces, often driving for 9-10 hours a day...a grueling pace especially on the roads of south Gujarat, which are not well maintained at all.

Rehman was the photo~expedition guide/fixer. He was the very personification of syncretism due to his conversion from Hindu to Muslim when a young man. His knowledge of Muslim India and of Sufi lore was impressive, and he diligently gave us a written narrative of every dargah, mosque and temple we photographed at, with historical notes. His narrative was heavily laced with tales and superstitions...ideal to us, as these reflected local syncretic lore as for example, his statement that the Prophet Muhammad was the reincarnation of Vishnu!

In Bhuj, we were also assisted (like last year) by Kantilal Doobal, a local photographer-interpreter. He guided us to tribal villages.

There was one major...no, make that huge... disappointment on this photo~expedition. I planned to photograph the Siddis in their village near Diu in the very southern tip of Gujarat. I was informed that the Siddis held spectacular musical (drumming) performance during the evenings of the Muslim weekend. The Siddis are descendants of African slaves brought 300 years ago by the Portuguese for the Nawab of Junagadh. To our chagrin, there were no performances to speak of, and all we saw was a small loban ceremony during evening prayers, hardly anything to write home about. Yes, we photographed the Siddis and it seemed we were in a Central African village, but we were disappointed. I had enormous expectations from this particular itinerary objective, but it was not to be. Traveling so far down to Diu wasn't worth it at all.

Another issue was that women are not allowed in certain areas of the dargahs and mosques. This excluded two of the participants from photographing in the inner parts of the shrines, but this was no surprise. Another issue was that some shrines allowed the saints' tombs to be photographed, while others didn't, depending on the whims of local keepers/guardians. I say whims because at one shrine I was told we couldn't photograph at all, but after talking with the local religious head, he allowed us unfettered access. Insistence can pay off sometimes.

The highlights of the photo~expedition were many...the shrine of Shaikh Ahmed Khattu in Sarkej near Ahmedabad,  the Jain temples and the pujas in Palitana, a couple of tribal villages near Bhuj, a photo shoot at the home of an extroverted hijra (transvestite) named Chandrika in Bechraji, and the utterly mind-blowing scenes of trances at a dargah near Unawa.

The Palitana photo-shoot required us to walk (or be carried) up the 3500 steps to the main Jain temple at the top of the hill. This was well worth it, as a continuous puja was being held at a sacred site considered to be the most sacred pilgrimage place in Jainism. We started the climb at about 6:30 am and were at the top 3 hours later. The puja ceremony lasted for a few hours, giving us ample time to photograph every facet of it.

However, there's no question that the main highlight of the whole trip was our days spent at the Mira Datar shrine where we photographed the fantastic Sufi rituals, which included exorcisms, trances, possessed people (mostly women) in chains lest they hurt themselves, pilgrims of all persuasions, Hindus, Muslims (Sufis, Shias and Orthodox) coming to the shrine for all sorts of reasons...temporal and spiritual. It is accepted in the Islamic world that demons (known as djinns) can inhabit the bodies of individuals, and supplicating saints such as Mira Datar to rid oneself of such demons is commonplace in Sufism.

I was asked by one of the khadims at Sufi dargahs to place a "ghelaph" (or ritualistic cloth covering) over the tomb of a saint...this I tried to do with reverence and alacrity. Not allowed to cross into the area where the saint's tomb is, a number of women also asked me to spread bags of rose petals over it...I was pleased to do this, and was handsomely rewarded by being given a large rose petal to eat. Not bad...it tasted like soggy lettuce.

Sunday, January 23, 2011

On My Way: Some Thoughts And My Gear


I'm poised for next week's In Search of the Sufis of Gujarat Photo Expedition™, and have now readied/cleaned my cameras and lenses, reformatted all the CF cards, and recharged all batteries. I find this task to be one of the most tedious (but pleasurable at the same time) things I have to do before traveling on a photo expedition or assignment. It's a comfort kind of thing, a kind of reassuring thing to do, a ritual of sorts if you will, but it's still tedious...I don't know how else to describe it....and I don't know how all my stuff finally fit in my bags (not those in the above picture!).

On the other hand, one of the pre-departure tasks I don't mind doing at all is to review the itinerary I've developed, while trying to anticipate what may go wrong during the trip...my 10 years of leading photo-expeditions have prepared me for snafus, but each photo-expedition and itinerary can bring its own set of challenges.

I always look forward to a new photo-expedition, but this is also accompanied by a smidgen of anxiety. After all, I'll be meeting new photographers who've joined it, and while we've developed an online relationship with emails and links of mutual interest for the past months, a "face to face" is different. Neither of us knows what to really expect from each other.

As for those of you who are interested in gear-talk, here's the list:

Photo Equipment:

Canon 5D Mark II
Canon 7D (which replaces my trusty old friend the Canon 1D Mark II)
Canon 70-200mm f2.8
Canon 24-70mm f2.8
Canon 17-40mm f4.0
Canon 24mm f1.4
Canon 580EX II Strobe
Lumix GF1 with 20mm


Audio Equipment:

Marantz PMD620
ATR6250 Stereo Microphone
SONY Headphones

A F-3X Domke shoulder bag

13" MacBook Pro

2 Iomega hard drives (500mb and 1TB).

And my krama scarf. The most important item!


As I wrote a few times, I can't wait for the time when cameras such as the Lumix GF1 (the so-called EVIL cameras) perform as well as the current crop of digital SLRs...and reduce the enormous load factor that I'm obliged to carry on these trips.

I will try to post as much as I can...no problem from London of course, and perhaps none from Delhi except for availability of time. Once I'm in Gujarat though, it'll be silence from The Travel Photographer.

Tuesday, December 21, 2010

Kolkata's Cult of Durga: New 2011 Photo Expedition



I'm pleased to announce details of my Kolkata's Cult of Durga Photo Expedition™ scheduled from September 29 to October 13, 2011.

Kolkata's Durga Puja is the most important religious festival of West Bengal, celebrating the Hindu goddess Durga. Due to its importance, it's the most significant socio-cultural event in Bengali society of the year. It's during this annual spiritual event that I shall conduct a photo expedition/workshop.

The purpose of this photo~expedition is to photograph the innumerable rites associated with the Durga Puja festivities; and since Kolkata offers a diverse, gritty, and a visually compelling environment to photographers, it'll also be a "street-photography-heavy" workshop, with a multimedia component.

For details, drop by Kolkata's Cult of Durga Photo Expedition™

Thursday, December 2, 2010

Teaser


Yep...we're on a roll. All this will be announced soon on this blog, and via newsletter. Hold your breaths!

Monday, November 29, 2010

Books By Participants In TTP's Photo~Expeditions™

A few weeks ago, I wished here that more of the participants who join my photo~expeditions would, not only feature their work on their websites as most do already, but also publish their images in book form. It's not an easy task to prep and publish a book, but the eventual satisfaction is just sublime. I know first hand because I self-published Bali: Island of Odalan, and now I'm waiting for the sample proof of my second book Darshan (an announcement will be made shortly).

So I was very pleased to see 4 members of The Travel Photographer's Photo~Expeditions™ have already published their books (and with some, already their second or even third book).

1. Torie Olson joined my Theyyam of Malabar Photo`Expedition™ in 2009, and has just published the wonderful Life In Color (Photographs of Gujarat), a 117 page large hard cover landscape book.


2. Sandy Chandler joined a number of my photo trips; the latest being Bali: Island of Odalan Photo~Expedition™ this past July, and has just published Calling The Soul, an 80 page standard landscape book that promises to be a gem.


3. Charlotte Rush-Bailey joined my Tribes of Rajasthan & Gujarat Photo Expedition™ earlier this year, and quickly published her Kutch Classic, a 98 page large format hard cover landscape with her "specially brewed" photographs.


4) Susan Storm joined my Sikkim & Darjeeling Photo Expedition™ in 2003. A photographer and journalist for over 20 years, she worked for many of the top magazines in most continents. She published Colours In The Dust (On The Sari Trail), a 232 pages standard landscape book of her lovely images of India.


My congratulations to these photographers who took the initiative and featured their work in print form. I'm looking forward to hearing from other participants as to their book publishing efforts. C'mon, guys!

Monday, November 8, 2010

POV: Photo-Workshops Are Useful, But....

Photo © Tewfic El-Sawy-All Rights Reserved
Scott Bourne, who publishes and writes Photofocus since 1998, has posted an article on photo workshops titled Don't Listen To The Trolls in which he encourages people to attend workshops led by photographers who have work they find inspiring...an encouragement that is both reasonable and logical.

However, let's take this a step or two further because, simply put, there are photographers who market their workshops (and there are many these days) whose work may be phenomenally beautiful and inspiring, but who are unable to lead, who can't/won't teach and are unable/unwilling to share. It's simply not enough that the photographer's work is good...not at all. There are many more factors that come to play in one's decision in choosing a photo workshop.

Obviously, the price of the workshop is one of the first determinants. Celebrity photographers command a hefty premium, and while some are worth it, others are not. In the case of travel photography workshop, I've come across workshops of 10 days starting at $8000, excluding international travel costs and meals. Knowing full well that the real costs of these workshops are in the range of $2000-2500 tells me that the profit margins for such photographers may be in the $5000-6000 range...per participant.

Many believe (or hope) that taking part in such high-priced workshops is worth the price because of the technical knowledge acquired; because of the bragging rights from rubbing shoulders with the famous photographers, and because the quality of their "during and after workshop" image inventory will justify the expenditure.

Maybe. Maybe not.

On the other hand, let's be cautious and do our homework (what bankers and business people call due diligence) by eliminating as many uncertainties as possible before shelling out thousands of dollars. Ask for references and opinions from previous attendees, compare workshops' details to one another, compare itineraries if these are travel photography workshops, ask who really leads the workshop: the photographer or assistants (trust me...the higher up the totem pole the photographer is the more assistants there will be...and the less you'll see of the photographer), figure out how much individual face time the participants will have with the photographer, who responds to your email and/or calls, who created the itinerary if it's a travel photography workshop, is it in a well-trodden tourist circuit or it an off-the-beaten path itinerary, how many participants in the workshop...and lastly what percentage of clients are repeaters.  And let's throw this in as well: if the workshop is marketed by a company because the hot-shot photographer is too busy to do it, that company will get a big bite off the price tag....and naturally you end up paying for it.

Personally, if I wanted to go on a workshop I'd rather go with a grunt...not a celebrity/famous photographer. I'd want to be taught rather than patronized...I wouldn't like being palmed off to an assistant nor do I want to be intimidated. I'd rather be given a candid assessment of my abilities and limitations in plain simple English rather than in a mealy-mouthed babble ....and finally, I want to enjoy myself.

But that's me.

(Photograph made at the Wangdicholing Monastery, Jakar, Bhutan)

Saturday, October 16, 2010

Alia Refaat: Bali Island of Odalan

Photo © Alia Refaat-All Rights Reserved

Here are work samples from Alia Refaat, the final participant in the Bali: Island of Odalan Photo~Expedition ™ . It is Alia's second travel photography expedition, and she plans a series of exhibitions in Cairo of her photographs.

Alia is a commercial photographer from Cairo, Egypt. Alia studied Mass Communications, and trained at Spéos Paris in commercial, portrait and studio photography.

The above photograph is of Balinese devotees returning from the ocean having purified their temple's deities. The all day ceremony was performed near the famous temple of Goah Lawah.

Photo © Alia Refaat-All Rights Reserved

The above intriguing photograph is of Balinese playing Kocokan. This is a sort of roulette in which the players put some money on a vinyl mat decorated with six different pictures of cartoon version of Hindu gods, demons or animals. Surprisingly, this gambling is allowed during a temple odalan.

Photo © Alia Refaat-All Rights Reserved

Cremations are one of the most sacred events in Balinese culture. In this photography, Alia was quick to notice the rather macabre juxtaposing of the body's exhumation and the t-shirt worn by one of the cremation's attendees.

Wednesday, October 13, 2010

My Work: Traversing The Kachchh Part Two


I've uploaded around two dozen of new photographs unto a still gallery titled Traversing The Kachchh Part Two. These photographs were made during my Tribes of South Rajasthan & Kutch Photo~Expedition ™ earlier this year.

As the title suggests, this is the second of my still galleries of photographs made in that area; the first was Traversing The Kachchh.

Both galleries are precursors to my forthcoming photo-expedition In Search of Gujarat's Sufis to south Gujarat and the Kutch.

The In Search of Sufis Photo~Expedition ™ was sold out a week or so from its being announced.

Sunday, October 10, 2010

Cathy Scholl: Tribes of Rajasthan & Gujarat

Photo © Cathy Scholl-All Rights Reserved

Cathy Scholl is a photographer and a participant in my Tribes of Rajasthan & Gujarat Photo~Expedition, which took place earlier this year between January 23 and February 7, 2010. She has traveled to India no less than 13 times, as well as to Nepal, Bhutan, and Burma.

Her photographs were exhibited in galleries throughout Southern California. In addition to winning awards, her work was selected to hang in juried exhibitions curated by leading experts in the field of photography, such as Arthur Ollman, founding director of the Museum of Photographic Arts, San Diego.Cathy is also an active member in the Burn magazine community, which is curated by David Alan Harvey

Photo © Cathy Scholl -All Rights Reserved

Following her participation in my photo~expedition, Cathy continued to Haridwar where she also photographed at the Kumbh Mela. I chose these photographs made during the photo~expedition from her blog More Than Just A Pretty Picture...an appropriate title as Cathy's style is more inclined towards documentary travel photography, and she eschews cookie-cutter travel photographs.

Photo © Cathy Scholl -All Rights Reserved

The top photograph is of a Gujarati villager and her child, made in one of the countless villages we visited during the photo~expedition. The middle photograph was made in Baneshwar, during a pind daan ceremony which extends for about a week, and during which the tribal people of Rajasthan and Gujarat come to remember their dead....notice how Cathy framed the characters in this photograph.

The third photograph was made in a grain distribution room in the village of Poshina, where tribals and villagers receive their subsidized rations.