Fifth Annual FCCT Photo Contest 2011

The Foreign Correspondents Club of Thailand and OnAsia, one of the leading photo agency in Asia, are soliciting participations in the Fifth Annual FCCT Photo Contest. All photos must be taken in the Asia-Pacific region, and photographic submissions in the following four categories will be accepted:

* Spot news: for the best single image photograph taken at a news event in the Asia-Pacific region. No more than five photographs per photographer may be submitted in this category.

* Feature photography - for the best single-image non-news "feature" photograph taken in the Asia-Pacific region. No more than five photographs per photographer may be submitted in this category.

* Photo essay - for the best collection of up to 12 photos on a single topic taken in the Asia-Pacific region. No more than three photo essays per photographer may be submitted in this category.

* Environmental Issues - A special category, sponsored by Delegation of the European Union to Thailand, for the best single photo or photo essay of up to 12 images focusing on environmental topics, including issues such as natural resources and waste; climate change; nature and biodiversity; and the environment and public health. No more than five single images and/or three photo essays per photographer may be submitted in this category.

* In addition, the judges will select one Photographer of the Year to recognize either the best single image, photo essay or the most impressive collection of work submitted by a single photographer in 2011.

Submissions can be published or unpublished work but MUST have been created between Sept 1st 2010 and the contest submission deadline, Sept 23rd 2011. First-place winners in Spot News, Feature Photography and Photo Essay will each receive: $1,000 cash and one round-trip ticket for economy-class air travel in Asia,

I'm generally not fond of photographic contests, but this one may be more interesting than the others I've seen. I will review its terms and conditions before committing to participate. I think I have a photo essay that would suit this contest perfectly.

CPN: Gary Knight: Advice To Young Photographers

Canon Professional Network has featured five Canon Ambassadors – photographers Michael ‘Nick’ Nichols, Gary Knight, Ziv Koren, Frits van Eldik and Paolo Pellegrin, and asked them what they’ve learnt from their years of experience and what advice they would offer to young photographers starting out on their photographic careers.

I thought I'd feature Gary Knight's interview here...this is purely a personal choice based on what he advocates "keep it simple...and don't think too much"; advice which I always follow and advocate, and since I met Gary in Bali some years ago...I know his advice is not a fluff piece, and that he speaks his mind. So his interview is highly recommended to young photographers.

"...keep it simple...don't think too much..."

Gary Knight began his photographic career in Thailand in 1987 and he lived and worked in the Far East until 1992. In 1993 he moved to the former Yugoslavia and documented the civil war there. In recent years he has covered the invasion of Iraq, the occupation of Afghanistan, the civil war in Kashmir and the Asian Tsunami. One of the founders of the VII Photo agency in 2001 his work has been published by magazines all over the world and he has been a contract photographer for Newsweek since 1998. He is one of the founders of the Angkor Photo Festival, a registered charity in Cambodia; a board member of the Crimes of War Foundation and a trustee of the Indochina Media Memorial Foundation.

Manca Juvan: Sans Papier

Photos © Manca Juvan-All Rights Reserved

Manca Juvan is a freelance photographer having completed her studies at the Slovene School for Photography, and has gleaned many awards and recognitions since then.  She was selected as Photographer of the Year in Slovenia for her reportage work in 2006, 2007 and 2008, and was  commended - in 2005 and 2006 - for her work on Afghanistan by the Slovenian Association of Journalists.

Nominated for the World Press Photo’s Joop Swart Materclass in 2008,  she was chosen in 2011 as one of three recipients of a scholarship for NYU/Magnum Foundation Photography and Human Rights Program. Her work was shown at Photomed festival in France, and selected for its “Hall of Excellence” by The Manuel Rivera-Ortiz Foundation for International Photography.

Her work was published in The Times, The Sunday Times, The Guardian, Chicago Tribune, National Geographic (Slovenia), Time.com, Marie Claire, The European Voice and Der Standard.

I particularly admired her gallery titled Sans Papier ("Without Documents"), which consists of a series of diptychs pairing the portraits of illegal immigrants in Paris with objects they brought from their native countries. Simple and yet evocative.

The Frame Does Ramadan

Photo © AP/Mohammed Zaatari-All Rights Reserved

The Frame, The Sacramento Bee's photo blog has featured 33 magnificent photographs of Muslims around the world are observing the holy month of Ramadan which runs this year from Aug. 1 to Aug. 30. During that period, observant Muslims refrain from eating, drinking, smoking and having sex from dawn to dusk.

It was a tough choice as there are many images from photographers such as Kevin Frayer in India, Altaf Qadri in Srinagar, and Achmad Ibrahim in Jakarta which captured the many facets of Islam during Ramadan all over the globe.

However for the blog, I chose the photograph of Lebanese "dawn awakener" (known as the "mesaharati", holding a lantern and a drum to awaken observant Muslims for a meal before sunrise in the old souk of the southern port city of Sidon, Lebanon.

President Obama In The West Village!!!

Photographs © Tewfic El-Sawy- All Rights Reserved

The West Village's West 12th Street was abuzz a few moments ago with the imminent arrival of President Obama, who was scheduled to attend a fundraiser at the home of a Hollywood celebrity (Harvey Weinstein?).

I was there with my Canon 7D and a 70-200, and managed to capture his motorcade, and his car.  But I preferred to wave like a kid as it passed...and caught a glimpse of him, looking at the crowds and at his Blackberry.

A Dos Pasos Del Corazón: The Photographer Of Seville

I was impressed by this short documentary of Juan, who is a photographer in Seville (or Sevilla) who at the age of 85 years is still taking pictures at weddings, baptisms and communions. He has been practicing this profession since 1944.

The videography is by Sergio Caro  and Ernesto Villalba, and is a tribute to simplicity. I always advise simplicity in my multimedia classes, and to let the story be carried by the narrative. This video has all the ingredients of successul storytelling via narrative...it even includes faded old photographs as a way to introduce Juan's personal history. Unfortunately, there's no translation but I guess it's not too difficult to understand what is being said...more or less.

With that minor exception (seen through an English-speaking prism), this is a very well produced documentary.

It brings back my childhood memories of Monsieur Phillipe who walked the beaches in Alexandria, Egypt making pictures of families, children and friends. He used a twin-lens reflex camera, probably a Rolleiflex and would have the prints back in about 2 days.  Possibly Greek or Armenian, Monsieur Phillipe always wore a sweat stained Panama hat, leather sandals and knee-length white shorts. I recall he had extremely hairy legs, and his sandals threw sand whenever he walked on the beaches. He probably remained in Egypt until the late 60s.

What an interesting subject Monsieur Phillipe would make...in the same vein as Juan! I'd be interested to hear from anyone who may have know what happened to him.

POV: Street Photography, An Addiction?

Photo © Tewfic El-Sawy-All Rights Reserved

Yes, it is.

It's been a little more than 5 months since I've acquired the Leica M9 with a couple of lenses; an Elmarit 28mm (which is my mostly-used lens), and a Voigtlander Nokton 40mm. During the first two months, I used it gingerly, almost self-consciously...waiting for it to "grow" on me, and for my instinct to take over. I took it wherever I went, virtually daily...and it slowly became part of me.

I normally walk around with it either dangling from my neck, or from my shoulder...or more recently, in a Domke waist pouch which seems to have been manufactured for it, when I don't need or want to use it. It has come to the point that if I don't have it with me, something is missing...sort of like forgetting my cellphone or my keys.

I've learned to look (as distinct from seeing) for "characters"...I've learned how to look for interesting faces some 30-50 yards from where I stand or walk to anticipate the framing and composition of the images I eventually make of them...I try to pre-visualize scenes (but haven't fully succeeded yet) such as anticipating the faces of construction workers when they see a pretty woman in a short dress walk by...or that of a child seeing his mother when coming out of school..and snapping that moment. I've learned how to pretend to be checking my cellphone whilst clicking the shutter at the same time....and I've learned to frame the image without looking at my subjects.

I am lucky to live in Manhattan...the most street photography "friendly" (or should I say 'interesting'?) city. I have favorite streets. Broadway and Canal Street...14th Street always has interesting characters, and Chinatown is a haven for street photography just because it's heavily touristic, and its residents are used to photographers.

The Leica File is a gallery of my NYC street photographs, 

"I allow myself to be seduced... I grow. I evolve. And I like that...a lot."

But the best is this. I don't look at the images that I shoot from the hip (or from the waist, in my case) until I return home and download them. Heck, that almost brings me back to the exciting good old days of film!

As for my gear, I have to say the M9 is almost the perfect tool for street photography. Nothing new here. I qualify that perfection because while it's inconspicuous, virtually infallible and it's almost silent...the lack of auto-focus is still a pain in the ass. Leica will not like me for saying this...but it is. I've learned to pre-focus or just move my feet until my image is sharp...I've also learned the zone focusing technique (still not very well, it seems)...and manage to muddle through the focus issue. But I still salivate at the improbable idea of a Leica with auto focus capabilities.

Finally, as a side benefit of all this addictive street photography, I am partly ensconced in a black & white phase...I allow myself to be seduced by toning, by special effects, by Instagram-like colorization, and by a multitude of other "sins" that I normally don't indulge in.

I grow. I evolve. And I like that...a lot.

Angkor Photo Festival Program 2011

I take great pleasure in featuring the 7th Angkor Photo Festival Program Preview which is to take place in Siem Reap from November 19 to November 26, 2011. This well established event is the first photography festival held in Southeast Asia and for 2011, will exhibit the work of 110 photographers, out of whom 60 are from Asia.

The 2011 list of exhibiting photographers includes Andrew Biraj, Pep Bonet, Paula Bronstein, Marco Di Lauro, Tewfic El-Sawy, Siddharth Jain, Yuri Koryzev, Liz Loh-Taylor, Wendy Marijnissen, Erica McDonald, Palani Mohan, and many more.

My photographs from the photo essay The Possessed of Hazrat Mira Datar will be screened during the festival.

Angkor Photo Festival will hold 12 exhibitions, 7 evenings of slideshows, free workshops for 30 Asian photographers, and a lot more. It's curated by Francoise Callier in consultation with a 9-member international committee. The program is coordinated by Camille Plante and Jessica Lim.

For the PDF Press Release which also contains sample photographs of the exhibits and screenings, click here.

If you haven't considered attending the Angkor Photo Festival, I encourage you to do so. It's an unmissable photography event.

Andrés Lofiego: Con La Tierra

Andrés Lofiego attended Maggie Steber's class at the Foundry Photojournalism Workshop in Buenos Aires, and chose me to view his portfolio of black & white stills. He also showed its multimedia version of these stark images, with a throbbing sound track. The multimedia is co-produced with Martin Cossarini.

Con La Tierra, Andrés' photo essay examines the injustice committed by various industries and corporations such as the oil & gas industry, the farming and mining industries against the natives peasants who, for generations, were born, lived and worked in, and died on their ancestral lands. The photographs are of the Mapuches who were evicted from their their lands in Neuquen (Southern province of Argentina), the farmers of Santiago del Estero (Northeastern province) and the people in Quebrada de Humahuaca.

"But these people, the men and women of the land, work to get informed, peacefully resist and build a world wide enough to embrace all cultures."

Photo © Andrés Lofiego-All Rights Reserved

Andrés Lofiego is a photographer/photojournalist who lives in Buenos Aires. He began studying  photography about a decade ago, focusing on reality and social issues. He worked of visual projects covering the recovery of factories in Argentina after the crisis of December 2001, and published a book titled "No Trespassing, A Look from the Self-Managed Work" in cooperation with the workers of the print shop "Chilavert". He is currently documenting land disputes between farmers and corporations in Argentina.

Maggie Steber: Photographer, Educator, Speaker...

Two of my favorite (and insightful) moments at the Foundry Photojournalism Workshop in Buenos Aires were when I had the good fortune of having breakfast with Maggie Steber, and then walking with her to the Motivarte school, where we were meeting our respecting classes.

I thought I'd share with my readers what most have missed by not being at the Foundry this year. No, it's not Maggie speaking during that event (I believe this will be coming in the next few weeks), but of her addressing attendees during the 15th Joop Swart Masterclass in which she talks of her career, along with an overview of her work. This is not a talk that you will want to rush through...quite the opposite. Take your time, and absorb as much as possible from a renowned professional in all the senses of the word. Candid, articulate, funny, wise, interesting and perceptive...that's how I'd describe her. So bookmark or save it, because I know you'll enjoy it.

"How can nature or God or the fates or the universe do this to a country that has borne far too much sadness?" 

Maggie Steber worked as a documentary photographer in 60 countries. Her longtime work in Haiti received the prestigious Alicia Patterson Foundation Grant and the Ernst Haas Grant as well as a book publishing support grant from Kodak. A contract photographer for Newsweek Magazine for 4 years, she has worked through several press agencies as well the Associated Press in New York as a photo editor. She served as Assistant Managing Editor of Photography and Features at the Miami Herald from 1999-2003 and guided the photo projects to become Pulitzer Prize finalists twice and a third time as winner. Her work for National Geographic has included articles on Miami, the African slave trade, the Cherokee Nation, soldiers' letters, and Dubai.

In 2007, she received a grant from the Knight Foundation to design a new newspaper prototype through the new Knight Center for International Media at the University of Miami. In 2010, for the 3rd time, she was invited as a Master Teacher at the World Press Photo Foundation’s Joop Swart classes.

Finally, you ought to view Maggie's photo essay on The New York Times' Lens blog entitled No End Of Trouble. Ever , which includes her reflection on Haiti's misery.

World Press Photo At The United Nations

For the 8th consecutive year the United Nations is hosting the World Press Photo Contest winners, the world’s largest contest for photojournalists. This year's exhibition contains 177 photographs related to 2010 news events from all over the world. This year, 5,691 photographers from 125 countries submitted a total of 108,059 images.

The international jury selected an image by South African photographer Jodi Bieber as World Press Photo of the Year 2010. The picture shows Bibi Aisha, 18, who was disfigured as retribution for fleeing her husband's house in Oruzgan province, in the center of Afghanistan.

Admission to the Exhibits is free and the galleries can be viewed daily between the 5 – 28 August, 2011 from 9:30 a.m. to 6:00 p.m. Visitors’ entrance closes at 4:45 p.m.

PlanetPic Does Ramadan Images

Photo © Daniel Berehulak - AFP/Getty Images

PlanetPic is the new photo blog of GlobalPost, and has impressed me by its variety and the large size of its photographs.

It's one the first large photo blogs that featured images from around the Islamic world on the occasion of Ramadan. Sundown on July 31st marked the beginning of Ramadan, the month when Muslims all over the world are supposed to go without food, drink, smoking and abstain from sex from sunrise to sunset. It is intended for Muslims to purify themselves and concentrate their minds on Islamic teachings.

At sunset each day, Muslims break their fast with a meal known as Iftar, which many start by eating three dates. This holy month, sees a spike in charity, and it is not uncommon to see people marking Ramadan by giving food to the homeless.

As a footnote, I see that the Governor of Texas has backed a prayerapalooza in Houston today, and since he claims he will be fasting all day, I wonder whether he's considering joining the millions of Muslims in their fast. Just sayin'.

The Travel Photographer Is On PhotoVerse

I am pleased that Photoverse will be including The Travel Photographer blog on its application. Photoverse collects information from multiple news sources and blogs related to photography, pools them and presents them to you in an easy to read scrollable list. It enables you to  choose the view you want to see, be it from a single news source or blog or a time-sorted collection from multiple sources that you can select. All pages are rendered locally within a web view so that you never have to leave the application.

Photoverse also allows you to share any interesting article you read via Twitter, Facebook or email. It even allows you to bookmark articles for later perusal.

Photoverse is a utility application developed for the iPad, iPhone by photographers for photographers and is available from iTunes. All i need to do is to get an iPhone!

Omar Mullick: See No Evil

Photo © Omar Mullick-Courtesy Foreign Policy Magazine

Foreign Policy magazine has featured See No Evil,  the work of Omar Mullick in Afghanistan, which was largely made with iPhones and using the Hipstamatic app. When Mullick's embed with the US Army ended, he proceeded to make trips in and outside of Kabul, documenting the lives of ordinary Afghans affected by the grim toll of war. The images in this gallery are from his travels during six weeks from March and April 2011.

Omar Mullick was born and raised in London, and studied politics, philosophy, and economics at the University of Pennsylvania. He lives in New York. He spent six years in fashion photography and the film industry, shooting music videos and commercials before turning to documentary photography. He has received fellowships and awards from the M100 Foundation, the Western Knight Center for Journalism, and the Annenberg Foundation.

Perhaps I'm old hat, but I'm still ambivalent about the fad of using the iPhone by photojournalists to document conflicts. My ambivalence is for purely aesthetic reasons...I'm still of the view that documenting conflicts (especially) needs to be as "pure" as possible, without being tainted by manipulative processing. An iPhone with Hipstamatic and similar software certainly produce interesting images and that, I suppose, is what counts for many photographers.

PS: I've recently noted that even David Alan Harvey seems to have a lot of fun with Instagram photography...but so far these are personal snaps.

Milongas: The Seduction of Tango

I'm pleased to feature an audio slideshow titled "Milongas! The Seduction of Tango" of my still black & white photographs made in various tango halls and milongas of Buenos Aires during the week I spent there  teaching with the Foundry Photojournalism Workshop.

Note: You have two viewing options: either to view it as a Vimeo movie (above) or as a SoundSlides, which has better resolution images.

I am equally pleased in having broken many of my self-imposed rules which I religiously followed when producing such multimedia pieces. For this piece, I applied panning (Ken Burns effect) on a few occasions to give the semblance of motion, and to bring the eyes of the viewers to a specific part of the still. Rules are made to be broken, and I hope the photographers who attended my class do not take me too much to task for that.

"the silent and imperceptible gesture by men inviting women to dance..."

I chose to photograph the milongas and the tango at these venues for many reasons. Perhaps it was mainly because of my appreciation for international music, but as I observed the people who were at the milongas...I call them 'actors' because they were, wittingly or unwittingly, acting a part in a pre-ordained old fashioned ritual of almost courtship...the silent and imperceptible gesture by men inviting women to dance...I was reminded that their actions mirrored what occurs between men and women in their quotidian life.

I've also used only two audio tracks...one is by the legendary Carlos Gardel singing the beautiful A Media Luz, and a short poetic narration by Paula Acunzo, a Buenos Aires based photographer who attended my class, and is also a terrific tango dancer. She deserves much credit, not only for writing this evocative poem, but also for suffering some of us at the tango halls and milongas.

But back to A Media Luz....which means 'half-light'. I decided I'd use it as main soundtrack for the slideshow because I was humming it in Buenos Aires almost all the time...and because I photographed these images in the penumbra of the tango halls, and accentuated their darkness even further by vignetting some....so it seemed eminently appropriate.

So turn your speakers on...full volume...and enjoy the seduction of tango.

Johannes P. Christo: Tajen; Ritual & Pleasure

Photo © Johannes P. Christo-All Rights Reserved

Johannes P. Christo is an Indonesian self-taught photographer who has been developing his own vision in visual storytelling. Currently based in Bali, Johannes works as a freelance photographer for editorial, documentary and portraiture projects.

His work has been published in The Jakarta Globe, The West Australian, National Geographic Indonesia, National Geographic Traveler (Indonesia), Travel and Leisure Magazine (Thailand), TEMPO Magazine English Edition (Indonesia), Forbes Indonesia Magazine, Wall Street Journal Photo Blog, Agence French Press, Reuters, ZUMA Press, etc. and he has been recognized with various awards.

I met Johannes in Istanbul where he attended the 3rd Foundry Photojournalism Workshop on a scholarship, and subsequently in Bali where he shared with me his projects which are currently shown on his website. I highlight Johannes' well composed black & white photo essay on cockfighting in Bali, which he titled Tajen: Ritual & Pleasure.

An extremely talented photojournalist, with an interesting collection of photo essays, which, while eschewing color, captures Bali's exotic and ancient traditions in edgy black & white photographs.

Dominic Nahr: Travels Through Islam

Photo © Dominic Nahr-Courtesy TIME

With good reason, I've become skeptical of mainstream Western magazines abilities or interest to present non-stereotypical (and non-judgmental) features dealing with Islam, but I found TIME International's Travel Through Islam five-part series in its Summer Journey issue, to be interesting and insightful.

In this first installment, photographer Dominic Nahr followed the footsteps of famed 14th century explorer and traveler Ibn Battuta into sub-Saharan Africa. In February 1352, Ibn Battuta set off from the city of Sijilmasa at the edge of the Sahara to journey with a camel caravan to lands far to the south.

A few years ago, I was fascinated by Ibn Battuta (whose full name is Abu Abdullah Muhammad Ibn Abdullah Al Lawati Al Tanji Ibn Battuta), and read anything I could find about his life and his travels, to the point that I went to the New York Public Library to read some older manuscripts.

Ibn Battuta's journeys took almost thirty years and covered almost the entire known Islamic world and beyond, extending from North Africa, West Africa, Southern Europe and Eastern Europe in the West, to the Middle East, Indian subcontinent, Central Asia, Southeast Asia and China in the East, a distance far surpassing that of his predecessors and his near-contemporary Marco Polo.

For an interesting book on Ibn Battuta and his exploits, Tim Mackintosh-Smith followed the traveler's footsteps as well, and wrote Travels With A Tangerine. Not to be confused with the fruit, Tangerine is a resident of Tangiers...as Ibn Battuta was.

Egypt's Revolutionaries: Platon Style

Photo © Platon-Courtesy The New Yorker

The month of Ramadan has dawned on the Islamic world, and I thought I'd mark the event by posting Platon's images of the Egyptian revolutionaries, and in so doing wishing the Egyptian people a future they want and certainly deserve.

Be sure to view the accompanying short videos. You'll first have to suffer Goldman Sachs adverts, but just close your eyes while they play.

According to the news, Hosni Mubarak, his two sons, former interior minister Habib el-Adli, six of his aides and businessman Hussein Salem, are all charged with being involved in the killing of protesters during the 18-day revolt.

I'm not optimistic that the trial will be a speedy one, nor thorough. I wouldn't be surprised at all if it's postponed for a myriad of reasons...but the Egyptian people will eventually get justice. They must.