The Leica File: I Did The Right Thing After All

Photo © Tewfic El-Sawy-All Rights Reserved (Click to Enlarge)

As those who follow The Travel Photographer blog may know, I bought the Leica M9 and a couple of lenses (Elmarit 28mm and the Voigtlander 40mm) earlier this year, and I've been using it since for street photography in New York City...which was the main reason I decided to become a "Leica aficionado".

At the time, the decision to spend such a large amount of money on Leica gear seemed frivolous and unnecessary. Believe me, I went through periods of angst and head-scratching as to why I did buy it. At first, I tried to convince myself that I needed it...that it would speed up my photographic evolution...and then that I would enjoy it more than all the other cameras I use.

When I'm asked why I bought, or use, a Leica, I sometimes use this analogy: if I were to drive on the mountain roads in Europe; say between France and Switzerland, would I rent a super modern BMW X5, or would I choose (assuming it was available) a Series 1 Jaguar E Type with manual transmission? I would certainly choose the latter, to maneuver the curves the way they should be, and heel and toe downshift to my heart's content. The analogy is imperfect of course, but I would certainly enjoy the driving experience much more with the Jag...as I found I enjoyed photography with the M9 more than with the Canons.

"All I know is that I enjoy photographing with the Leica whether it's stuck to my face, or dangling on my waist/hip."

In an earlier post, I question if shooting from the hip (by the way, it's one of the most viewed/read post on this blog) was really photography. Many have said yes...I really haven't decided yet, although I confess that I don't care any more. All I know is that I enjoy photographing with the Leica whether it's stuck to my face, or dangling on my waist/hip.


To me, that's the bottom-line answer to my angst-ridden self question as to whether getting a Leica was a good idea. It was all about enjoying it....having fun with it. That's it. I am not a tech-head so whether the Leica is technically a better camera than the Canon 5D Mark II or the Fuji X100 is incidental. I just appreciate it for what it is... a solid, well-built, quirky, irritating, rewarding, reliable and a pain in the ass photographic tool. But to go gaga and weak-kneed over it like some do, is not one of my talents. And speaking of talents, I don't over-intellectualize photographs...whether mine or someone's else.


I like street photography in New York City (who doesn't?) and, emulating seasoned street photographers, I take my camera whenever and wherever I can. Sure, I make lots of mistakes when I use the shooting from the hip technique, which I probably wouldn't do if I had a Canon and an auto-focus lens. For instance, the photograph of these two women "Get Sweet On Salt" would have been better composed (no ice cream cone growing out of a head, for one thing) had I viewed it through a viewfinder, either with the M9 or a Canon. But their expressions (notice the pout by the woman on the left) would have been different....they would have noticed me for sure, and could have either smiled or scowled.

For further street photography in New York City, I have a separate gallery on The Leica File.

Pamplona, The Drifters & Hemingway

Photo © Eloy Alonso-Reuters/Courtesy In Focus

The Atlantic magazine's wonderful photo blog In Focus is featuring 36 large photographs of The Running of The Bulls during the Festival of San Fermin which attracts thousands of visitors to Pamplona, Spain. Over the course of nine days, the festival hosts bullfights, a carnival, fireworks, and of course, the encierro, or "running of the bulls."

"I was so buzzed up by the adrenaline rush I got by reading of the running to evade the bulls, that I vowed to participate..."

I first heard of the Running of The Bulls through books. Like many of my generation, I came across it while in my late teens reading Hemmingway's The Sun Also Rises. I also recall it described in James Michener's The Drifters, an epic novel about youths who drift to Torremolinos, Pamplona, Southern Africa, Morroco, and Portugal. I was so buzzed up by the adrenaline rush I got by reading of the running to evade the bulls that I vowed to participate...much to the disbelief of my friends and peers in Cairo, who probably looked at each other behind my back and rolled their eyes (or whatever the expression was at that time).

Ah, well. I never ran in Pamplona...and never will.

For those interested, between 200 and 300 people are injured during the run every year, although most of these injuries are contusions.

I think the above photograph is remarkable...it was probably photographed using remote triggers,  strobe slaves and empty soda bottles (see photograph #21).

Idris Ahmed: Holla Mohalla

Photo © Idris Ahmed-All Rights Reserved

Idris Ahmed is an environmental activist-turned-schoolteacher-turned-professional photographer, as well as a biker. His vehicle has taken him, at times, as high as 13,000 feet to photograph landscapes, monasteries and the people who inhabit these altitudes.

Five years ago, Idris was biking through the Kunzum La pass in Himachal Pradesh, and visited the Spiti Valley for the first time. The landscape was so stunning that he he has since journeyed to the valley every year, staying for a month each time.

Although most of his press coverage has been on Spiti: Daughter of the Sea photo exhibition in Delhi last April, I have featured Idris' gallery of the Sikh Holla Mohalla.

The Holla Mohalla is an annual Sikh festival, which usually lasts for a week and consists of  various displays of fighting prowess and bravery, followed by music, poetry and communal meals. It also is highlighted by a huge procession by the Nihangs, clad in their traditional dress and weapons, on the last day of the festival. It is held at the Indian city of Anandpur Sahib in Punjab, and it is estimated that over 100,000 Sikh devotees attend the Holla Mohalla.

Oskar Barnack Award 2011: The Winners

Leica announced the 2011 winners of the Leica Oskar Barnack Award, and produced an 18 minute movie of their work. The movie was presented at the Arles Photo festival of 2011.

Jan Grarup received the Leica Oskar Barnack Award 2011 for his “Haiti Aftermath” series and Jing Huang won the Newcomer Award 2011 for his photo set titled “Pure of Sight.”

"Regular readers of The Travel Photographer's blog won't be surprised. I am not moved by most of the photo essays that won the Oskar Barnack Award 2011."

I've watched this movie three times, and readily confess that the majority of the photo essays left me indifferent, and even puzzled. I found that the exceptions were the two projects by Jan Garup; the Haiti Aftermath and Darfur (at the end of the clip) and a poignant photo essay by Carsten Stormer titled The Acid Survivors. I just wasn't moved by the remainder of the photo essays....largely because I just didn't understand what the photographs meant to convey.

That being said,  I generally liked the multimedia production of this movie. I found the varying sound tracks (although none were ambient) to be appropriate, slow and deliberate, and in keeping the theme of the photo essays. I also like the sobriety of the typography and the titles of each photo essay....with the technique of underlining the names of the photographers to accentuate their importance to the viewers.

The transitions were mostly simple, and the dissolves were kept to a minimum. The other effects kept to a minimum were the Ken Burns effect and the panning, but only for the first half of the movie. Subsequently, there was more reliance on the zoom in-zoom out effect, and it was unnecessarily  heavy handed. I also noted that the producer(s) used alternating of verticals on a single frame.

Tanya Habjouqa: Women of Gaza

Photo © Tanya Habjouqa- Courtesy Al Jazeera

I am always very pleased to see impressive talent from the Middle East such as that of photographer Tanya Habjouqa, whose Women of Gaza was just featured on Al Jazeera website.

Tanya was born in Jordan and educated in the United States, and is currently based in Jerusalem. She won a well deserved reputation for gaining unique access to sensitive gender, social and human rights stories in the Middle East. She received a number of awards for her work, and is published in The Wall Street Journal, Al Jazeera, Washington Post, New York Times, Boston Globe and worked for various NGOs.

Her gallery of images on the Al Jazeera website documents the community spirit prevailing in the Gaza strip, which is maintained despite the ongoing Israeli siege and occupation. In her photographs, one clearly sees how the women in Gaza are continuing to live their lives as best they can...continuing to care for their families, working for a better future through education and careers.

Not only has Al Jazeera shown the US-based cable networks how to deliver news from the Middle East and elsewhere, but it's also supporting Middle Eastern photographers and photojournalists by featuring their work, and their projects. Would CNN or MSNBC have featured Women of Gaza? Not likely.  Well done, Al Jazeera!

Via Wendy Marijnissen Twitter feed.

The Leica File: Serendipity Or Decisive Moment?

Photo © Tewfic El-Sawy-All Rights Reserved (click it to enlarge)

Many interesting photographs are the result of serendipitous events that occur when the photographer is right there, while others are the result of the photographer anticipating the event, the gesture or the decisive moment.

In the case of the three women in the F train (which I titled "The Sleepy, The Anxious And The Bored"), it was certainly a matter of having these three distinctly different women sitting across from me, who being self absorbed in their own world, were oblivious of the M9 propped on my knee. Although I was conversing with Mervyn Leong on our way back from Coney Island, my peripheral vision allowed me to click the shutter when I "sensed" the scene you see in the photograph. I didn't see it...I just clicked...perhaps anticipating it because of their movements? I just don't know. I had taken a couple of frames earlier...and had no clue that I had really captured this scene until I exited the subway.

"I 'sensed' the scene you see in the photograph. I didn't see it...I just clicked.."

Human nature is so interesting. The Sleepy was very energetic when she boarded the train, but eventually slumped in her seat. The Anxious was serene for most of the ride...but suddenly became frazzled as you see her. The Bored looked bored all through the ride...and held that pose for most of the time.

Photo © Tewfic El-Sawy-All Rights Reserved (click it to enlarge)

Now this one, which I titled "The Gawker" is different. It's a "shot from the hip" photograph at Union Square, and it is more of an anticipatory shot. The attractive Asian tourist was pacing up and down, waiting for someone, and I noticed the man approaching her, then setting down his delivery cart. I knew he would be looking at her (as I had been doing), and it's at that moment that I clicked the shutter. He had a bottle in his hands, and I just can't decide if he was gawking at her because she was beautiful, or whether he saw her drinking and decided he'd drink too...or both.

Erica McDonald: DEVELOPphoto

Erica McDonald is an institution. Yes, you read that correctly. She's an institution for a number of reasons; primarily because she's a damn good photographer/photojournalist, and also because she recently and single handedly initiated DEVELOP Tube, an educational resource on photojournalism.

If you need proof of her photographic talents, just drop by her website, and take a good look at her New York City Portraits, amongst her many galleries. You'll immediately agree with me.

And when you finish doing that...drop by DEVELOP Tube on YouTube and on VIMEO.

DEVELOP Tube features interviews, profiles, lectures, films about photojournalism, fine art, documentary photography, photographers, including multimedia productions which effectively incorporate the still photograph, and slideshows created to showcase powerful photographs, especially those concerning humanitarian issues: human rights, environmental sustainability and global health.

It's a veritable compendium of photography, and Erica must be commended for making all this trove easily available to the public. Bookmark it or follow it on Twitter @DEVELOPphoto

Erica has chosen two of my audio slideshows to add to DEVELOPphoto. White Shadows and Cham.